{"id":868,"date":"2025-11-29T21:34:42","date_gmt":"2025-11-29T20:34:42","guid":{"rendered":"http:\/\/localhost\/wordpress\/?page_id=868"},"modified":"2026-08-22T18:44:41","modified_gmt":"2026-08-22T16:44:41","slug":"vier-heiratsantraege-und-ein-tschechow","status":"publish","type":"page","link":"https:\/\/www.theater-kirchdorf.at\/index.php\/vier-heiratsantraege-und-ein-tschechow\/","title":{"rendered":"VIER HEIRATSANTR\u00c4GE UND EIN TSCHECHOW"},"content":{"rendered":"
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nach A. Tschechow \u201eDer Heiratsantrag“ – Schwank in einem Akt<\/p>\n

Zum Inhalt des Originalst\u00fccks: Iwan, ein Gutsbesitzer, elegant gekleidet im Frack, besucht seine(n) Nachbarn\/-in Stepan\/Stepanowna, ebenfalls Gutsbesitzer\/-in. Iwan h\u00e4lt um die Hand der Tochter Natalja an. Stepan\/Stepanowna freut sich\n sehr dar\u00fcber. Natalja wird geholt, doch ehe Iwan seinen Heiratsantrag los werden kann, geraten sie in Streit wegen der Bullenwiese. Iwan wird des Hauses verwiesen. Als Natalja erf\u00e4hrt, weswegen er eigentlich gekommen war, wird Iwan\n zur\u00fcckbeordert. Wieder kommt er nicht dazu, seinen Antrag zu machen, da er mit Natalja in Streit ger\u00e4t, wer den besseren Jagdhund bes\u00e4\u00dfe, sei das Ugadai oder Otkatai – Iwan fallt in Ohnmacht, dann endlich…<\/p>\n

Franz Horcicka und sein Team haben sich diesen Einakter als Basis genommen, um ihn in ganz ungew\u00f6hnlicher Weise zu bearbeiten. Dabei wird der Versuch unternommen, die pr\u00e4zise Handlung dieses kleinen Werkes in vier unterschiedlichen\n Genres umzusetzen:<\/p>\n

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1) die klassische Version Tschechows<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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2) die volkst\u00fcmliche Version<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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3) die operettenhafte Version<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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4) die Stummfilmversion – over-acting-method<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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SpielerInnen:<\/p>\n

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Simon Kronsteiner<\/p>\n

Gertraud Saatmann<\/p>\n

Gerhard Mair<\/p>\n

Elisabeth Breitwieser<\/p>\n

Helga Lang<\/p>\n

Philipp Neudeck<\/p>\n

Gerhard Strau\u00df (Musik)<\/p>\n

Cathi Binder<\/p>\n

Florian Pilz<\/p>\n

Ingrid Pohn<\/p>\n

Dagmar Uray (Musik)<\/p>\n

Johanna Horcicka<\/p>\n

Rudolf B\u00fcrscher<\/p>\n

Christiana Badegruber<\/p>\n

Michael Kalab (Musik)<\/p>\n

Tobias Neubauer (Musik)<\/p>\n

 <\/p>\n

Regie:<\/p>\n

Franz Horcicka<\/p>\n

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Produktionsleitung: <\/p>\n

Helga Lang<\/p>\n

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Technik: <\/p>\n

Christian Kemptner<\/p>\n

Robert Z\u00f6l\u00df-Horcicka<\/p>\n

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B\u00fchnenbild: <\/p>\n

Christian Glas<\/p>\n

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Ausstattung\/Kost\u00fcme: <\/p>\n

Rosa Teutsch<\/p>\n

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Maske: <\/p>\n

Erika Geiseder<\/p>\n

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B\u00fchnenbau: <\/p>\n

Norbert Seidel<\/p>\n

Kurt Geiseder<\/p>\n

Franz Lachner<\/p>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n <\/div>\n

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